Rating and value of paintings by Ueli Berger

If you own a piece of furniture or a creation by Ueli Berger and would like to know its value, our experts and state-approved auctioneers can help you.

Our specialists will carry out a free appraisal of your chair, and provide you with a precise estimate of its current market value.

Then, if you want to sell your item, we'll point you in the right direction to get the best possible price for it. 

The market value of Ueli Berger furniture

Thanks to their timeless design, craftsmanship, comfort, historical value and aesthetic appeal, Ueli Berger's creations are in great demand among furniture enthusiasts and are highly prized on the market. Their value varies according to the years in which they were produced and their state of preservation.

Prices can soar at auction, especially for our modular sofas, which can be adapted to a wide range of interiors and come in a variety of colors and materials.

The price at which they sell on the auction market ranges from €30 to €11,000. In 2013, a Non stop Sofa model n° DS 600 dating from 1972 sold for €23,600 while its estimate was between €13,300 and €14,500.

Order of value from the most basic to the most prestigious

Style and technique by Ueli Berger

Ueli Berger, an emblematic figure of Swiss design, is part of an aesthetic where conceptual rigor meets playful inventiveness. His style is marked by a desire to reconcile functionality and visual poetry, exploring often unexpected forms.

Through his creations, he revisits the codes of traditional furniture with a sensibility that flirts with the surreal. The use of a variety of materials, from classic wood to bold Plexiglas, illustrates his taste for experimentation, while maintaining a respect for durability and Swiss precision.

His technique is characterized by meticulous attention to detail, combined with an innovative view of space and interaction with the object. His iconic works, such as the Nuage Table and Soft Chair, reflect his search for a balance between sculptural lines and practicality.

Berger plays with perceptions, introducing elements of surprise: a piece of furniture can become a work of art, a table can evoke fluid or organic landscapes.

This approach, rooted in the principles of modernism while breaking away from them in its boldness, reflects a rare ability to transcend convention, offering pieces that are both timeless and deeply rooted in the aesthetic concerns of their time.

Emblematic creations by Ueli Berger

At Ueli Berger, furniture shapes become bold statements, oscillating between functionality and visual poetry.

Among his most emblematic creations, the DS-1025 sofa for De Sede deserves particular attention: conceived as a modular landscape, it evokes hills that can be assembled and transformed as desired, offering rare flexibility and sculptural presence.

The Nuage Table, meanwhile, explores organic contours, evoking a subtle dialogue between design and nature, while championing a simplicity of use that makes it timeless. 

In a more provocative vein, Berger offers iconic pieces such as the lip-shaped headboard, directly inspired by pop art.

Here, visual audacity is combined with a broader reflection on the collective imagination and intimate space, giving the object an almost theatrical dimension.

Through these models, he succeeds in questioning the boundaries between art and design, while remaining faithful to an approach where creativity meets practical demands.

While embodying the aesthetic preoccupations of their time, these works bear witness to an ongoing quest for innovation and reinvention in the world of contemporary furniture.

The life of Ueli Berger

The life of Ueli Berger (1937-2008) is characterized by an approach in which art and design intertwine with rare inventiveness. Born in Switzerland, he embarked early on an artistic path that took him from fine art to furniture design.

His formative years led to an insatiable curiosity for shapes and materials, an exploration he would pursue throughout his career. Berger joined forces with Susi Berger, forming a creative duo that would leave their mark on the European design landscape with bold, resolutely modern works.

His designs, often created in collaboration with prestigious houses such as De Sede and Rosenthal, reflect a spirit in search of a balance between functionality and a clean-lined aesthetic.

Influenced by the avant-garde currents of his time, he draws as much on Minimalism as on the organic impulses of 1960s and 1970s design.

But beyond his influences, it is his personal vision, imbued with a pragmatism tinged with poetry, that sets him apart. Ueli Berger remains a name to be reckoned with, embodying an era when innovation never excluded deep reflection on the use and meaning of objects.

Focus on the Optical Effect Table, Ueli Berger, 1970

The Table à Effet d'Optique, designed by Ueli Berger in the 1970s, subtly questions furniture codes through its play on appearance and perception.

Its glass top, adorned with geometric patterns or criss-crossing lines, creates illusions that confuse the eye, giving the whole a deceptive depth.

The base, for its part, seems to oscillate between the simplicity of angular forms and a cleverly calculated complexity, destabilizing visual certainties. 

This work is not a simple aesthetic feat, but a reflection on the relationship between the object and the space that surrounds it. Here, Berger borrows from the kinetic art and graphic experiments of his time, while inscribing his work in a quest for functional innovation.

The table is no longer limited to its primary function: it becomes an experience in its own right, a challenge to the user, confronted with the ambiguity of an object where the useful and the contemplative intertwine.

Far from being anecdotal, this work is a fine illustration of design's ability to disrupt, engage and invite the eye.

Ueli Berger's stylistic influences

Ueli Berger's aesthetic influences lie in a subtle fusion of rigorous functionality and artistic experimentation. As part of the creative momentum of Swiss design in the second half of the 20th century, Berger draws on both Nordic minimalism and the formal audacity of the Bauhaus.

Her creations dialogue with the heritage of a Elieen Grayin their attention to organic forms and materials, while opening up to optical games and puzzling perspectives reminiscent of the kinetic art of Victor Vasarely or the geometric illusions of Verner Panton. 

For Berger, objects are never simply functional: they are part of a broader reflection on space and perception.

The motifs he incorporates into his furniture seem to echo the graphic experiments of Swiss concrete art, where lines, colors and shapes interact with mathematical precision.

In reinterpreting these visual languages, he demonstrates a mastery in which formal sobriety conceals bold aesthetic ambition. His works stand at the crossroads of industrial rationality and artistic sensibility, transforming the ordinary into a visual and tactile experience.

Ueli Berger's imprint on his period

Ueli Berger's imprint on his period is a distinctive testimony to the quest for aesthetic and functional innovation in the second half of the 20th century.

At a time when design oscillated between minimalist rigor and experimental freedom, Berger managed to marry these two poles with rare ease.

His work, influenced by the Bauhaus yet deeply rooted in a Swiss approach to design, offers a refreshing alternative to industrial standardism while pushing back the boundaries of perception. 

Through iconic creations such as his furniture and objects with optical effects, he blurs the lines between art and design, asserting that form is not limited to use.

His work is distinguished by the introduction of a constant dialogue between function and sensory experience, imposing a new vision of the object: one that is no longer merely utilitarian, but that questions, challenges and engages the viewer in a subtle play of the eye.

In a context where modernity sometimes seemed to drown in the search for pure rationality, Berger's work marks a return to the poetic dimension of the object, where every line and every surface becomes an invitation to reflection and wonder.

Recognizing the artist's signature

Despite a highly recognizable design, the artist's works are not signed - which reinforces the need for expertise, since there are so many copies.

Appraising your property

If you own one of Ueli Berger's creations, don't hesitate to request a free appraisal by filling in our online form.

A member of our team of experts and certified auctioneers will contact you to estimate the market value of your Baumann chair.

If you are considering selling your work, our specialists will also guide you through the various alternatives available to obtain the best possible price, taking into account market trends and the specific features of each work.