Tableaux Alix Aymé - Value, quotation, artist

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Cote et valeur de l'artiste Alix Aymé

Alix Aymé is a major 20th-century painter. Today, prices for her works are rising under the auctioneers' hammer.

His oils on canvas are particularly prized, especially by French buyers, and the price at which they sell on the art market ranges from €30 to €345,000, a considerable delta but one that speaks volumes about the value that can be attributed to the artist's works.

In 2024, an oil on canvas entitled Pastorale, painted between 1938 and 1940, sold for €345,000, whereas its estimate was between €120,000 and €200,000. Its value is rising.

Order of value from a simple work to the most prestigious

Artist Alix Aymé's style and technique 

Alix Aymé seems to have always made a point of distancing herself from the great movements of her time.

Far from the raw, liberated expression that marked contemporary trends, she turns to a more controlled, almost methodical style of writing.

His technique is sober, but this should not be confused with austerity. Aymé knows how to handle nuances and materials with finesse. Every brushstroke, every line is part of a desire for order and discipline.

Her compositions are never too dense or complex. Instead, she chooses pure forms, a certain softness that, on closer inspection, testifies to great technical mastery.

What's most striking is the subtle use of space, never excessive, always balanced. The color palette, though sometimes limited, remains effective.

She plays with light and shadow, without resorting to startling contrasts, but favoring a softer gradation.

It's in this simplicity that Aymé succeeds in capturing an almost invisible form of poetry, a calm that doesn't need to be demonstrated. His restrained technique manages to exude great power, but in a discreet way.

Alix Aymé, painter in vogue

Alix Aymé (1894-1989) was a renowned French artist. Born in Marseille, she studied drawing and music at the Toulouse Conservatoire. She proved extremely gifted in both fields, but chose drawing to pursue her career.

Aymé moved to Paris, where she studied painting in Maurice Denis's studio. She helped him build the Théâtre des Champs Élysées.

A short time later, she married a literature professor whom she accompanied to Hanoi and Shanghai, and went on to teach painting and drawing at Hanoi's French lycée.

Back in France, she separated from her husband and left for Indochina with her son: the French government had commissioned her to organize the 1931 Colonial Exhibition.

She married Georges Aymé, a lieutenant-colonel, with whom she had a second son. She also traveled to Laos, where she found new sources of inspiration.

Alix Aymé was then appointed professor at the Indochina School of Fine Arts, founded by Victor Tardieuwhere she is committed to perpetuating the tradition of Vietnamese lacquerware.

She is also interested in the technique of painting on silk, as have Vietnamese artists such as Nam Son Nguyen and Thuong Lan Nguyen. Today, these artists are extremely successful on the auction market, much sought-after by collectors, and their value is exploding.

At the end of her career, she created the Notre Dame de Fidélité Way of the Cross, entirely in Vietnamese lacquer, an absolutely original work that blends her Western inspirations with Far Eastern artistic techniques. She died in 1989.

Alix Aymé's Indochinese period

Little is known about Alix Aymé's Indochinese period, yet this phase of his career has left its mark on his work.

Far from the conventions and European preoccupations of the time, Aymé immersed himself in a totally new universe.

There, she captured scenes of daily life and portraits of individuals, as well as tropical landscapes, whose vivid colors and sometimes surprising shapes enriched her work.

In his paintings from this period, we find a more spontaneous, less fixed approach than in his earlier productions. Light, like a special guest, infiltrates the canvas, bringing scenes to life, almost vibrating.

If you pay attention to her depictions of landscapes, you'll notice a certain fluidity in the brushstrokes, as if she wanted to convey the idea of a world in motion.

The colors, meanwhile, move away from the classic palette to offer warmer, more exotic hues - deep reds, oranges and greens - that bring a new dimension to his painting.

Through these paintings, Aymé bears witness to a time and place, but she never tries to freeze them in a realistic image.

She captures moments, like fleeting bursts of emotion, in everyday scenes where movement mingles with light, and the artist seems to merge with the environment she observes.

Focus on an Indochinese fishing scene, Alix Aymé

This aspect of Aymé's work has rarely been discussed, although it deserves special attention. Indeed, in this particular painting, Aymé doesn't just describe a scene, but captures its very essence.

The painting, depicting an Indochinese fishing port, is distinguished by a subtle blend of reality and personal interpretation.

The deep blue of the water, gently swirling in the breeze, contrasts with the luminous reflections of the boats, as if the artist had sought to capture the precise moment when light and shadow dance together.

The silhouettes of the fishermen, treated in an almost abstract manner, blend into the scenery without clashing with it, forming a whole.

Far from a geometric study or a rigid perspective, Aymé leaves room for a certain fluidity of form, as if the environment were reorganizing itself under the influence of light and movement.

The brushstrokes are visible, sometimes nervous, sometimes softer, and convey a sense of flow and life.

The painting seems to invite us to feel rather than understand, immersing us in a vibrant atmosphere where sea and people, in their simplicity, melt into each other.

With this approach, Aymé doesn't so much seek to tell a story as to express its raw emotion, capturing the soul of the place with astonishing freedom.

Alix Aymé's imprint on her period 

Alix Aymé left a lasting imprint on her era by finely reinterpreting Asian artistic traditions through the prism of her Western training.

In the paintings she produced during her Indochinese period, she was able to integrate the richness of local motifs, the subtleties of exotic landscapes and the demanding techniques of lacquer, giving rise to works of striking depth.

His subtly balanced compositions are distinguished by a remarkable mastery of light and a unique ability to instill a poetic, timeless atmosphere.

Far from being content with mere observation, Alix Aymé has plunged deep into Vietnamese know-how, respecting its traditions while infusing modern touches from European art.

This skilful fusion enabled him to stand out among his contemporaries, asserting a bold and refined artistic vision.

By reconciling the aesthetic heritage of the Orient with the Western avant-garde, she enriched the decorative and pictorial art of her time, becoming a key figure in the cultural dialogue between two worlds.

His work, deeply rooted in its time, continues to fascinate by its ability to transcend artistic and cultural boundaries.

Recognizing the artist's signature

Aymé often signs his name at the bottom of his drawings or oil paintings. Copies may exist, so expert appraisal is important.

Knowing the value of a work

If you happen to own a painting by or about Alix Aymé, ask for a free estimate by filling in the form on our website.

A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as any relevant information about it.

If you're thinking of selling your work of art, our specialists will also be on hand to help you find alternatives for selling it at the best possible price, taking market trends into account.