Rating and value of paintings by Joseph Inguimberty

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Rating and value of the artist Joseph Inguimberty

The artist Joseph Inguimberty has left behind a distinctive body of work, composed mainly of drawings. He is French. Prices for his works are now rising under the auctioneer's hammer. 

The price at which they sell on the art market ranges from €30 to €750,000, a significant range but one that speaks volumes about the value that can be attributed to Joseph Inguimberty's works. 

He is especially prized by French buyers. In 2017, an oil on canvas entitled Le Hamac sold for €750,000, while it was estimated at between €270,000 and €330,000. His value has been rising in recent years.

Order of value from a simple work to the most prestigious

Style and technique of artist Joseph Inguimberty

Joseph Marie Inguimberty, a French painter of Italian origin, distinguished himself with a style that combined keen observation with a vibrant palette of colors.

His work, often influenced by his travels in Asia, shows a great sensitivity to light and atmosphere.

In his compositions, nature and people are often depicted with apparent simplicity, but every detail is meticulously crafted to evoke emotion.

The artist masters nuances and contrasts, rendering each canvas with great depth and rare delicacy.

His fluid yet precise technique is based on the careful application of color, which he uses to shape shapes and imbue his works with a unique luminosity.

Inguimberty demonstrates his mastery of watercolor and oil, exploiting the transparency and texture of pigments to create plays of light that reveal the richness of his subjects.

Each painting seems to capture a suspended moment, where light and color meet to give life to landscapes or intimate scenes.

In his work, Joseph Inguimberty combines a deep respect for artistic tradition with a personal quest for harmony between color, light and form.

His poetic style invites silent contemplation, where each canvas becomes an open window on a world both far and near.

The life of Joseph Inguimberty

Joseph Marie Inguimberty, born in Marseille in 1896 and died in Menton in 1991, led an artistic life marked by a profound quest for light and harmony.

Trained at the École des Beaux-Arts in Paris, he quickly established himself as a painter of great sensitivity, nourishing his work with numerous trips to Asia.

China, Japan and Indochina became major sources of inspiration for him, shaping his view of the world.

These Eastern discoveries, integrated with his personal vision, add a new dimension to his art, while remaining faithful to a rigorous Western tradition.

His compositions capture the essence of his subjects, whether landscapes, portraits or scenes of everyday life.

Light, at the heart of his work, unfolds with subtlety, transforming each canvas into a suspended moment.

Her works, in which color and texture blend with great finesse, testify to her unique talent for translating the atmosphere and beauty of the world around her.

Exhibited both in France and abroad, Joseph Inguimberty remains a respected figure of the 20th century, leaving behind him an artistic legacy marked by the encounter between East and West.

Joseph Inguimberty's Indochinese period

Joseph Marie Inguimberty's stay in Indochina between 1926 and 1930 was a defining artistic and human experience.

The cultural richness and majestic landscapes of this region become an inexhaustible source of inspiration for the artist, who immerses herself fully in this new reality.

His paintings, produced during this period, capture the special light of Indochinese scenes, where soft, luminous hues pay tribute to the beauty of rice paddies, temples and people.

The influence of Asian culture is embodied in his compositions, which combine Western rigor with a fluidity inspired by Eastern forms and philosophy.

Inguimberty deploys a shimmering color palette and a subtly mastered technique, playing with textures to convey the atmosphere of these places imbued with mystery and serenity.

His portraits and Indochinese landscapes reveal a personal, intimate approach to the world, where light seems to filter through every detail.

These Indochinese years marked a turning point in his career, forging a style that expressed both the influence of the Orient and his relentless quest for beauty and harmony.

Focus on Les Rizières, Joseph Inguimberty

Joseph Inguimberty's La Rizière is a painting in which soft, enveloping light spreads slowly across the space, bringing this rural Indochinese landscape to life.

This work demonstrates a perfect mastery of light and color, characteristic of the artist's style during his stay in Indochina.

Inguimberty's approach is similar to that of his contemporaries at the École des Beaux-Arts d'Indochine, notably Le Pho, Mai Trung Thuand Victor Tardieu. All share this ability to capture the essence of the Asian landscape, while integrating Western influences.

Through La Rizière, Inguimberty achieves an elegant fusion of these two worlds, similar to the way Tardieu, in his landscapes, captures the light and atmosphere of Asia, while preserving a touch of typically Western finesse and gentleness.

In their subtlety, the colors chosen by Inguimberty are reminiscent of the canvases of Le Pho, who, like the French artist, captures light like a real character in his compositions.

In this work, the balance between background and form, soft mood and impressionistic realism, echoes the art of these Indochinese artists, while bringing a personal, poetic and intimate vision of the Indochinese landscape.

Joseph Inguimberty's imprint on his period

Joseph Inguimberty left an indelible mark on his period, particularly during his stay in Indochina, where he developed a body of work at the crossroads of Western and Eastern influences.

His work is part of a key moment in the history of art, at a time when exchanges between East and West are taking on particular importance.

Through his travels and immersion in Indochinese landscapes and cultures, Inguimberty has succeeded in creating a body of work in which light and color are at the heart of every composition.

This luminous approach, which he succeeds in transcribing with rare sensitivity, recalls that of his contemporaries at the École des Beaux-Arts d'Indochine, such as Le Pho, Mai Trung Thu and Victor Tardieu.

However, Inguimberty stands out for his unique way of interpreting light, transforming it into a central player in his works, a soft, almost invisible light that seems to seep into the viewer's soul.

His imprint is also evident in his approach to nature and the human figure, where he succeeds in capturing the beauty of Indochina in its intimate and universal dimension.

Through scenes of everyday life, portraits and landscapes, Inguimberty manages to capture suspended moments, on the borderline between abstraction and realism.

In this way, each canvas becomes a window onto a world both far and near, whose soft light and shapes seem to melt into the atmosphere.

His art, deeply rooted in the geographical and cultural realities of Indochina, leaves an indelible trace of the encounter between two worlds: that of the Western artist and that of Asian civilizations.

Inguimberty's distinctive style enriched the artistic heritage of his time, making his works a true testimony to this period of cultural fusion.

Recognizing the artist's signature

Not all Joseph Inguimberty's works are signed. He sometimes leaves a signature, but this may have faded over time. This is why the estimate is so high.

Knowing the value of a work

If you happen to own a painting by Joseph Inguimberty or one based on the artist, don't hesitate to ask for a free estimate using the form on our website.

A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as any relevant information about it.

If you wish to sell your work of art, our specialists will also be on hand to help you sell it at the best possible price, taking into account market trends.