Ratings and values of paintings by Alberto Savinio

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Artist's rating and value

Alberto Savinio's value on the art market is extremely high. His most prized works are his surrealist canvases, both portraits and landscapes.

The artist is particularly prized among 20th-century Italian painters and draughtsmen. Works by Alberto Savinio sell for between €200 and €900,000 at auction.

His painting Voilà mon rêve (oil on canvas), dating from 1928, sold for €900,000, against an estimate of €750,000 to €1,000,000.

Order of value from the most basic to the most prestigious

Alberto Savinio's style and technique

Alberto Savinio, an Italian artist with a complex personality, develops a technique in which introspection and poetry blend with a reflection on reality and dreams, the preferred themes of Surrealist artists.

Born in Athens, he evolved in a world richly influenced by his Greco-Roman roots and the Parisian avant-garde. Yet Savinio forges his own enigmatic, often surreal language, where the boundary between art and thought dissolves.

His works are dominated by a subtle palette, where soft tones and deep shadows dialogue with bursts of vibrant color, such as intense blue or earthy red.

These chromatic choices awaken in us a mysterious, bewitching atmosphere, where each nuance seems to carry a strong emotional charge, while playing on ambiguity.

Savinio, like Schwarz-Waldegg, moves away from simple visual representation. His aim is not to describe the external world as it is perceived, but rather to evoke the invisible strata of reality.

His figures, often mythological or literary, appear in postures that oscillate between figuration and abstraction, frozen in a space where time seems suspended. The light, subdued and sometimes unreal, draws blurred contours, intensifying the dreamlike character of his compositions.

The artist uses rounded, flowing forms that seem to stretch in unexpected directions, presenting objects diverted from their original context as visual metaphors that call for reflection.

Each element in his paintings seems to carry a double life, a visible reality and a hidden suggestion.

Through fine lines, clean contours and precise gestures, Savinio builds a world where graphic precision serves not to create a realistic illusion, but to open a path to a parallel universe.

His brushstrokes are meticulously measured, reflecting his constant reflection on the relationship between art and time, space and memory.

Far from seeking to conceal the depth of his emotions, Savinio reveals a form of intimacy in each portrait or composition, a vulnerability that touches the unspeakable.

Savinio's art is not just an aesthetic exploration: it's also a quest for meaning, a search in which memories and dreams take shape before our very eyes.

His works, often populated by solitary figures and imaginary landscapes, suggest a sense of solitude or escape, as if each painting were a window opening onto another world.

His technique, sometimes elegant, sometimes theatrical, invites us to meditate on the contradictions and mysteries of the human condition. Through his art, Savinio captures the soul of his time, between realism and abstraction, presence and absence, visible and invisible.

Alberto Savinio, painter of introspection and mystery

Alberto Savinio (1891-1952) was an Italian artist of the 20th century, a complex and singular figure of the avant-garde, whose work is distinguished by a poetic and psychological exploration of hidden realities and states of the soul.

Born in Athens and trained in Milan, he has developed a style that is both dreamlike and introspective, where the visible and invisible worlds intertwine.

From the outset, Savinio was sensitive to literary and philosophical influences, as well as to the European pictorial tradition.

His training, marked by contact with the Parisian avant-gardes, forged a distinct visual language, combining great technical mastery with a constant search for meaning.

The artist is less interested in a faithful representation of reality than in the creation of an inner world, a quest for the invisible and inexpressible.

Savinio's canvases, bathed in a subdued, often unreal light, seem to plunge us into a parallel universe, where each element suggests more than it reveals. His portraits, whether of mythological figures or anonymous humans, are imbued with psychological depth.

Far from being content with mere resemblance, the artist seeks to capture the soul of her models, to capture the essence of their interiority. Soft yet intense colors interweave with light brushstrokes, creating an atmosphere of dream and mystery.

Savinio, like some of his contemporaries, paints not just to describe appearances, but to evoke deep, often hidden emotions that emerge beneath the surface.

His compositions are windows onto inner worlds, where light plays with shadow to reveal the tensions and contradictions of the human soul.

The artist explores recurring themes of solitude, memory and metaphysics, in which introspection and silence play a central role.

Through his works, Savinio invites the viewer into an intimate encounter with the invisible, an immersion into the depths of thought and feeling.

His portraits, like snapshots of an inner world, suspend time and reality, revealing the fragility and beauty of an existence often marked by melancholy and questioning.

Alberto Savinio's imprint on his era

Alberto Savinio's subtle, spellbinding work is part of an artistic quest in which introspection and poetry occupy a primordial place, far removed from artifice and the spectacular, and not so much in keeping with other Surrealist painters in this respect.

Through his canvases, Savinio reveals a nuanced vision of the human condition, marked by a particular sensitivity to the invisible and the inexpressible.

In this capacity, he joins the likes of Beksinki, René Magritte or even Juan Mirówith whom he shares a fascination for exploring parallel realities and a desire to go beyond appearances.

His works, imbued with an almost unreal serenity, stand in stark contrast to the effervescence of avant-garde trends, while offering a more intimate, meditative reflection. By favoring evocation over illusion, Savinio imposes a style in which interiority becomes the very heart of representation.

Her paintings, oscillating between dream and reality, capture the suspended moment, a subtle light that hugs shapes and figures, while suggesting mysterious, enigmatic interior spaces.

His compositions take us on a journey into the depths of the human soul, where the softness of color and line are combined with an emotional intensity that lurks behind the discreet but persistent melancholy.

Focus on La Chambre d'Antinoüs (1937), Alberto Savinio

La Chambre d'Antinoüs by Alberto Savinio, with its intriguing delicacy, plunges us into a universe between dream and reality. The scene, which seems to escape all temporal logic, immediately captures our attention with its singular atmosphere.

Here, everything seems suspended, frozen in a moment that defies the obvious. Savinio, with his subtle mastery of form and light, invites us to enter a space that is both interior and timeless, where landmarks dissolve into a profound mystery.

The color palette, dominated by soft shades of blue and gray, gives rise to a subdued light that makes its way through objects and shadows, as if to reveal half-concealed secrets.

The whole is bathed in a kind of eerie serenity, in which every nuance reveals an intangible presence, a life beyond our comprehension. The golden hues that hint at certain elements add to this sensation of the distant, of something both close and out of reach.

At the center of the composition, Antinous' face seems to stare out at the horizon, frozen in enigmatic contemplation. The expression in his eyes, neither totally peaceful nor tinged with sadness, questions us, as if he carried within him a knowledge we cannot grasp.

Around him, the arrangement of objects is meticulous, but remains vague and imprecise. Nothing is there by chance: every detail, every curve, seems to be loaded with meaning, an invitation to interpretation, without ever revealing itself completely.

Savinio doesn't give us a scene to analyze, but a fragment of a world that leaves room for the imagination. La Chambre d'Antinoüs thus becomes a place for reflection on the ephemeral and the permanent, on memory that resists and things that dissipate.

Through the melancholy beauty of her work, the artist invites us into an intimate, suspended experience, where we lose ourselves between the tangible and the intangible, between reality and dream. 

His signature

Although there are variations, here is a first example of its signature:

Appraising your property

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