Rating and value of works, sculptures by Camille Claudel

If you own a work by or about the artist Camille Claudel and would like to know its value, our state-approved experts and auctioneers can offer you their expert appraisal services.

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Cote et valeur de l'artiste Camille Claudel

Camille Claudel is an important sculptural artist of the 20th century. She was part of Symbolism and worked with Rodin. Today, prices for her works are soaring exponentially under auctioneers' hammers.

His bronzes are particularly prized, and the price at which they sell on the art market ranges from €1,350 to €5,271,750, a considerable delta but one that speaks volumes about the value that can be attributed to Claudel's works. In 2018, the bronze l'Abandon, grand modèle, dating from 1905, sold for €1,081,380.

Order of value from a simple work to the most prestigious

Style and technique of the artist Camille Claudel

Camille Claudel produced expressionist and realistic sculptures, working mainly in bronze and collaborating withAuguste Rodin. She also produced a few marble sculptures.

His work is highly regarded on the art market. Various art institutions are keen to highlight his work, which has long been wrongly overshadowed by that of Auguste Rodin.

Camille Claudel or the shadow of Rodin

Camille Claudel (1864-1943) was a renowned French artist, born on December 8, 1864 in Fère-en-Tardenois, France. She is widely recognized for her exceptional talent and contribution to sculptural art in the late 19th century.

Camille Claudel studied at the Académie Colarossi in Paris, where she developed her artistic skills. She was a pupil and lover of the famous sculptor Auguste Rodin, and their relationship greatly influenced her work.

She contributed to many of Rodin's works, although she often remained in his shadow and her works are still often attributed to Auguste Rodin.

Her sculptures were characterized by their realism, expressiveness and emotional exploration. She often depicted the human body with a unique sensibility and was hailed for her ability to capture the intensity of emotion in stone and bronze.

However, despite her talent, Camille Claudel struggled to gain the recognition she deserved during her lifetime.

Her career was hampered by gender prejudice and her tumultuous relationship with Rodin. She also faced personal difficulties and mental health problems, which eventually led to her commitment to a psychiatric institution in 1913.

Camille Claudel spent the last decades of her life interned, far from the artistic world. She died on October 19, 1943 in a psychiatric hospital in Montdevergues, France.

Despite the challenges she faced during her lifetime, her work is now widely celebrated as a significant contribution to the history of sculpture. Over the years, she has received the recognition she deserves as a talented and visionary artist.

Claudel, the example of an invisible artist

The 20th century, marked by social and cultural upheaval, did not spare women artists, who had to overcome immense obstacles to gain the recognition they deserved.

The story of Camille Claudel, a talented French artist born in 1864, is a poignant example. Trained at the Académie Colarossi in Paris, Claudel quickly made a name for herself with the finesse and expressiveness of her work, but she constantly came up against the prejudices of a society that confined women to often secondary roles.

A student and lover of Auguste Rodin, she not only contributed to many of the master's works, but also developed her own aesthetic, marked by a deep emotional exploration and a technical mastery that rivaled that of the greatest sculptors of her time.

However, despite her undeniable talent, Camille Claudel spent much of her career in Rodin's shadow, her genius often overshadowed by her mentor's celebrity, as was the case for artist couples such as Picasso and Françoise Gilot or Christo and Jeanne Claude.

Her sculptures, though praised by some critics, were often attributed to Rodin, reinforcing the idea that the female artist could only be a mere assistant, incapable of producing a work of importance on her own.

This lack of recognition was not an isolated case; it reflected a broader trend where women, although active and innovative in the artistic field, were systematically marginalized and undervalued.

Claudel's tumultuous relationship with Rodin, combined with the social pressures of the time, exacerbated her difficulties. Women artists were judged not only on their work, but also on their personal behavior, and any deviation from social norms could disqualify them in the eyes of critics and the public.

Claudel, who was also battling mental illness, was institutionalized in 1913, marking the start of three decades of enforced isolation, far from the art world that had once greeted her with suspicion and reluctance.

This internment, decided largely by a family anxious to preserve its reputation, symbolizes the way in which women artists were often silenced, their creativity stifled by oppressive social structures.

The case of Camille Claudel is representative of a broader reality for women artists in the twentieth century. Despite their significant contributions to various artistic movements, they had to fight against invisible but powerful barriers that prevented them from fully asserting themselves in a male-dominated environment.

Galleries, museums and critics systematically favored male artists, relegating female works to subordinate positions or ignoring them altogether.

It was not until well after her death in 1943 that Camille Claudel began to receive the recognition she deserved, and even then, the reappraisal of her work was slow and gradual.

Today, she is celebrated as a pioneer, an essential figure in sculpture, but this posthumous recognition cannot erase the years of injustice and invisibility she endured.

Claudel, like so many other women artists, had to pay a high price for her passion and independence, and her story remains a poignant example of the work women have had to do to carve out a place for themselves in art history.

Understanding the Claudel - Rodin relationship

Camille Claudel's imprint on her period

Camille Claudel left her mark on modern sculpture, although her work was not recognized until after her death.

She also influenced the work of Rodin, who created numerous busts of her in bronze and marble.

Today, Camille Claudel's value on the art market is rising steadily, reflecting a belated but growing recognition of her sculptural genius.

His works, once undervalued due to his association with Auguste Rodin, are now fetching record prices at auction.

For example, pieces such as La Valse and L'Âge mûr regularly sell for several million euros, sums that testify to the growing interest of collectors and institutions in his work.

The rarity of his works on the market also contributes to this increase in value. Original bronzes, as well as the few marbles signed by his hand, are particularly sought-after, attracting bidders from all over the world.

The rediscovery of his work over the decades, thanks in particular to retrospective exhibitions and academic studies, has solidified his position among the great sculptors of his time.

In short, Camille Claudel, long marginalized, is now recognized as an essential figure of 19th-century art, and her works have become priceless treasures on the contemporary art market.

Recognizing Camille Claudel's signature

The artist often signs "Claudel" in small letters on the base of his sculptures. Copies may exist, so expert appraisal is essential.

Knowing the value of a work

If you happen to own a work by Camille Claudel or after the artist, don't hesitate to request a free appraisal using the form on our website.

A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as any relevant information about it.

If you're thinking of selling your work of art, our specialists will also be on hand to help you find alternatives for selling it at the best possible price, taking market trends into account.