Rating and value of works, drawings, paintings by Gen Paul

Gen Paul, gouache on paper

A self-taught French painter, Gen Paul (1895-1975) established himself as an influential figure on the Paris art scene. Associated with the Expressionist movement and the School of Paris, Gen Paul stood out for his bold, skilful use of color and light. The artist has a strong presence on the art market, and continues to command high prices.

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Artist's rating and value

With their unique style, Gen Paul's works are a great success with collectors. Market values remain stable and high overall, although certain categories of work, such as paintings from the 1920s, are among the artist's most prized.

75% of Gen Paul's sales take place in France, and 62% of lots are sold in the painting category. In 2024, his price rose by 4%.

Some of the artist's works can fetch hundreds of thousands of euros at auction, as demonstrated by his painting Le joueur de guitare, which sold for €140,000 at Artcurial in 2008.Order of value from the most basic to the most prestigious

Technique used

Results

Print - multiple

From €10 to €3,000

Drawing - watercolor

From €10 to €27,441

Oil on canvas

From €80 to €140,000

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The artist's works and style

AGen Paul, a key figure in Art Brut and French Expressionism, has developed a style that draws on raw, instinctive gestures, where the violence of the line blends with the density of color.

Initially influenced by academic art and the early discoveries of Impressionism, his work quickly evolved into a radical break with the artistic conventions of his time.

Far from traditional canons, he forges a singular visual language where form and color, in perpetual confrontation, free themselves from realistic constraints to express the turbulence of the human soul.

His bold, spontaneous technique uses powerful brushstrokes and intense use of color, often pure and contrasting, to envelop his subjects in raw energy.

Drawing, often spontaneous and vibrant, is an essential feature of his work, which he executes without traditional academic mastery, but with a rare emotional intensity.

Gen Paul favors expressive compositions, where the interaction between artist and material seems to embody an inner confrontation, an exploration of the unconscious that translates into deformed human figures and tormented landscapes.

Through his canvases, he bears witness to an era in search of meaning, while seeking to restore the power of individual experience through a radical, visceral technique.

Gen Paul, drawing

Gen Paul, his life, his work 

Eugène Paul, known as Gen Paul, was born in Montmartre in 1895. From an early age, Gen Paul showed a keen interest in art, drawing and painting with passion.

Apprenticed to an upholsterer, then trained in the decorative arts, the young artist officially launched his career after the First World War.

In the early 1920s, Gen Paul exhibited his work for the first time at the Salon d'Automne and the Salon des Indépendants.

His artistic style, characterized by vivid colors, bold use of light and expressive forms, attracted the attention of critics and the public alike. At the same time, the artist was rubbing shoulders with renowned artists such as Camille Pissarro.

Unlike the work of expressionist artists, Gen Paul's work is cheerful, full of optimism and showing an interest in the simplicity of everyday life. Nevertheless, in the '30s, the artist experienced a depression that affected his art.  

The Second World War marked a pause in Gen Paul's career. Mobilized and then taken prisoner, the artist was only able to draw the daily life and atrocity of war.

While in captivity, Gen Paul befriended writer Louis-Ferdinand Céline. The two friends collaborated several years later.

After his release, Gen Paul returned to Paris and resumed his art with determination.

During his lifetime, Gen Paul enjoyed a certain notoriety. He exhibited regularly in France and abroad. Gen Paul died in Paris in 1975, leaving behind a great artistic legacy.

Focus on Gen Paul, Le combat

Gen Paul Le Combat 's work is a perfect illustration of his ability to capture inner violence, while offering a striking reflection on human tensions. Through the use of color and form, he makes the intensity of confrontation visible.

The deformed bodies, often intertwined, are neither distinct nor fixed, as if they were trying to escape the canvas while remaining prisoners of the impulse that drives them. The palette, composed of warm, vivid tones, accentuates the brutality of the combat, but also the suffering that ensues.

The artist doesn't just suggest the action; he turns it into a whirlwind, a tangle of dynamic forms that seem to overflow, refusing to submit to the rules of academic perspective.

The artist's gestures, while imbued with a certain spontaneity, are not devoid of precision. Each brushstroke appears to be a deliberate act, a necessary move, orchestrated to make the violence of combat palpable.

The use of chiaroscuro, reinforced by sharp contrasts, allows Gen Paul to play with light and shadow, adding a dramatic and psychological dimension to the scene. We are shown not only the physical confrontation, but also the emotional intensity of this face-to-face encounter.

In this work, each movement seems to crystallize into a fixed dynamic, inviting us to question what lies beyond form, beyond the body.

Gen Paul's imprint on his period

Gen Paul's mark on his period is distinguished by a radical approach, with unprecedented expressive power, that refuses to compromise.

Born in an era of social and political upheaval, notably the devastating consequences of the First World War, the artist asserted himself with a raw, unvarnished vision of human reality.

Through his deformed characters and dark color palette, he doesn't seek to embellish or soften existence, but to capture its brutality, suffering and chaos.

His drawings are incisive, his forms incisive and his figures often disfigured, revealing the anguish that haunts the human soul. Far from the traditional and academic canons, he defies artistic conventions by introducing an aesthetic violence that translates inner turmoil.

He is not afraid to show pain and decay, making his painting poignant and raw. His work bears witness to the fragility of the human being, to a devastated era, while offering a vision of art that refuses to be aestheticized.

Far from seeking ideal beauty, Gen Paul's art is an exploration of the naked truth, of the human in all its abysses, using a stripped-down yet strikingly powerful technique that makes him a privileged witness to the upheavals of his time.

Gen Paul, mixed media on paper

Gen Paul's stylistic influences

Gen Paul's stylistic influences are evident in his frank, uncompromising approach to human reality, often seen through the prism of suffering and violence.

Like his contemporaries such as Georges Rouault and Ernst Ludwig Kirchner, he stood out for his desire to break with convention and capture the intensity of human emotion.

Yet where Rouault opts for a more religious and mystical representation of the human condition, Gen Paul chooses a more brutal, almost clinical expression. In his drawings, the distortion of forms seems to amplify the sense of decay and anguish, while also evoking a reality devastated by war and social violence.

Compared to artists such as Otto Dix or Max OppenheimerGen Paul adopts a similar approach in his critique of society, but his more nervous, expressive lines convey an almost palpable inner violence.

The imprint of Fauvism is also felt in his choice of colors, vivid and contrasting, which accentuate the drama of his scenes and the torment of his characters.

These influences, while present, do not prevent him from expanding his own visual language, blending social criticism with a more subjective, intimate approach to the individual.

Gen Paul doesn't just reflect society in his works, but seeks to tear away the veil of reality to extract a naked, often disturbing and unvarnished truth.

This refusal of complacency, this desire to confront humanity in its rawest dimension, places the artist in a position of both observer and denouncer, between a personal work and a reflection on the times that have shaped him.

His signature

Not all of Gen Paul's works are signed.

Although there are variations, here's a first example of his signature:

Gen Paul's signature

Appraising your property

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