Value and quotation of works, paintings by Jean Fusaro

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Artist's rating and value Jean Fusaro

Considered one of the most promising Impressionist painters of his time, Jean Fusaro took part in the artistic revolution of the 20th century. His legacy includes paintings, watercolor drawings and prints.

Today, the prices of his works are rising under the auctioneers' hammer. His paintings are particularly prized, and the price at which they sell on the art market ranges from €5 to €29,600, a considerable delta but one that speaks volumes about the value that can be attributed to Fusaro's works.

In 2015, a polychrome composition in neutral tones entitled Fenêtre ouverte sur Paris , dating from 1989, sold for €13,230, whereas its estimate was €2,940 to €4,410.

The artist's value peaked in the 1990s, but his works are still sought-after on the auction market.

Order of value from a single Jean Fusaro work to the most prestigious

Jean Fusaro's style and technique

With Jean Fusaro, the question of style seems to be posed in terms of contrasts and balances.

We know the artist's attachment to an almost raw texture - vigorous brushstrokes, superimposed colors - which, far from seeking perfection, favors a more instinctive, tactile approach.  

"My gesture is the extension of my thought," he declares, and it is in this fusion of gesture and thought that his work takes on its full meaning.

He was part of the pointillism movement, which also included artists such as Camille Pissarro.

The simplification of forms over the years is matched by an increasing complexity of atmospheres, where each color seems to vibrate for its own sake, where the energy of movement meets the stillness of the gaze.

This evolution, towards the 1960s, is accompanied by an increasingly pronounced abstraction in which figures and contours melt away and disappear, giving way to fluid compositions in which matter itself seems suspended.

The unity between form and space becomes a key issue here, and the search for visual harmony takes the form of a dispersal of elements, which respond to each other, unfolding, but never enclosing the composition in a rigid framework.

As one art critic put it, Fusaro succeeds in "sculpting light right on the canvas", transforming each nuance of color into a vibration that seems to propagate through space.

The illusion of a fixed form is replaced by an energy that circulates and crosses the support, a dynamic that reflects the impossibility of separating the painter from his work, the intellect from the gesture.

It's what we might call the art of controlled freedom, where every touch seems simultaneously mastered and released, every line animated by an inexhaustible creative breath.

Jean Fusaro's career

Born in the south of France, the artist quickly turned to art, in a process of research and confrontation with the times.

We know of his attachment to a vision of painting that yields neither to the easy way out nor to academicism - a rejection of purely decorative figuration in favor of a deeper, more visceral commitment.

"Painting must be a conquest", he says, underlining his desire to shake things up, to question, to seek a different relationship between the work and the viewer.

His career, which began in the 1950s, is marked by an evolution that sees him successively influenced by modern currents - from Fauvism to lyrical abstraction - before finding his own voice, a voice whose colors and shapes, as if suspended, come into dialogue with light.

It is in this context of constant research that he takes part in numerous group exhibitions, gradually forging a singular identity.

His encounters with artists such as Jean Bazaine and Hans Hartung marked a decisive turning point in his career, a form of visual and intellectual complicity that enabled him to deepen his work.

From the studio to the general public, Fusaro manages to integrate his influences, doubts and discoveries into a pictorial language in which each composition becomes a manifesto.

Throughout his career, the artist has distinguished himself by his ability to capture the essence of his time, transforming it into living, pulsating matter, whether through his large-scale canvases or his works on paper.

This could be called a career of reinvention, where each work seems to mark the culmination of perpetual research, without ever falling into repetition.

Focus on Paysage de Provence by Jean Fusaro

In Jean Fusaro's Paysage de Provence, the question of light seems to be posed in terms of atmosphere and presence.

We all know the artist's attachment to painting that favors visual emotion - a vibrant, almost palpable light that transcends simple representation to become a sensitive experience.

"What interests me is not so much the motif as what it evokes," he confides, thus affirming his rejection of the anecdotal in favor of the essential.

Here, the hills dissolve into a cameo of warm tones, where ochre and blue respond to each other in a harmony reminiscent of Nicolas de Staël's reinterpreted landscapes, but with Fusaro's own gentle touch.

This painting, executed in the 1970s, is part of a research in which color becomes the true subject of the work.

Far from the rigor of geometric abstractions or the radical breaks of his time, Fusaro prefers a more instinctive approach, where each touch seems to be placed in a precarious balance between structure and spontaneity.

This fluidity of composition is reminiscent of Zoran Mušič's landscapes, but where Mušič carves a certain gravity into the material, Fusaro allows a serene lightness to emerge.

As a contemporary critic wrote, "in Fusaro, every stroke is a whisper, every color a memory". This work, with its apparent simplicity, reveals a depth where the eye wanders, oscillating between the memory of a place and immediate sensation.

What we might call an inner landscape, an invitation to perceive not what is seen, but what is felt, in a painting where light, once again, becomes the soul of the picture.

The legacy of Jean Fusaro

For Jean Fusaro, the question of heritage seems to be posed in terms of echoes and transmission. We know of his attachment to a style of painting in which light, form and emotion interact in subtle harmony - a fragile yet powerful balance that transcends his era. 

 Art survives only in what it reveals to subsequent generations", he said, aware of the importance of leaving an imprint that goes beyond the simple materiality of the work.

Far from the thundering avant-gardes, Fusaro chooses a more intimate path, where each canvas bears the traces of a quest for meaning and humanity.

His legacy lies as much in the singularity of his style as in his ability to invite the viewer on an inner journey, an introspection in which color becomes language.

In the history of contemporary painting, Fusaro occupies a singular place, that of an artist who combined tradition and modernity, intuition and reflection.

His works, often compared to those of figures such as Nicolas de Staël or Zoran Mušičbear witness to a unique sensibility, an uninterrupted dialogue with light and space. This continuity, this anchoring in a profoundly human art, is evident in the influence he has exerted on many painters of his generation and beyond.

It's what we might call a silent but vibrant legacy, where painting becomes a bridge between eras, a living legacy that invites each viewer to continue, in his or her own way, this quest for beauty and truth.

Recognizing Jean Fusaro's signature

The artist's works are often signed. If he does, the signature appears at the bottom of the painting, in a color that contrasts with the background.

Knowing the value of a work by Jean Fusaro

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