Rating and value of paintings by Ernest Pierre Guérin
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Rating and artist's value Ernest Guérin
The artist Ernest Guérin left behind a very singular body of work, often described as realist or Pre-Raphaelite. He studied at the École des Beaux-Arts in Rennes.
Prices for his works are now rising under the auctioneer's hammer. His paintings are particularly prized, especially by French and English buyers.
The price at which they sell on the art market ranges from €20 to €20,000, a substantial difference but one that says a lot about the value that can be attributed to Guérin's paintings.
In 2000, a predominantly ochre oil on canvas, Le grand patron de Sainte-Anne de la Palude, sold for €15,240 against an estimate of €4,580-6,100.
Order of value from a simple work to the most prestigious
Technique used | Results |
---|---|
Print - multiple | From €30 to €400 |
Paint | From €160 to €15,240 |
Drawing | From €20 to €20,000 |
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Style and technique of the artist Ernest Pierre Guérin
Pierre Ernest Guérin's style and technique are characterized by a rigorous mastery of drawing and a measured approach to color, inherited from neoclassical traditions.
Trained in the shadow of the great masters of his time, Guérin is renowned for his heightened sensitivity to composition, where the balance of forms and lines reflects an almost mathematical quest for harmony.
His works, often marked by a sculptural treatment of the figures, are distinguished by firm contours and an economy of gesture, favoring introspection and solemnity over exuberance.
The chromatic palette, though spare, is no less eloquent. Guérin favors sober tones - deep ochres, earthy reds and muted blues - that support a diffuse, skilfully studied light.
This light, rather than dramatizing the scene, serves to delicately shape volumes and suggest a hushed, almost intangible depth.
His use of glazes also testifies to an in-depth knowledge of traditional painting techniques: each layer, subtly superimposed, lends surfaces a richness that transcends mere materiality.
His work on drapery deserves special mention. Guérin captures the fluidity and weight of fabrics with an analytical precision reminiscent of classical etchings.
More than mere accessories, these fabrics play an integral part in the narrative and formal construction of his paintings.
In short, Pierre Ernest Guérin's style combines academic discipline and poetic sensibility, making his work a thoughtful exploration of the classical heritage adapted to his time.
Ernest Pierre Guérin, his life and work
Ernest Pierre Guérin was born in 1887 in Saint-Malo, in the heart of Brittany, a region whose landscapes and traditions would deeply influence his work.
Trained in an artistic environment that valued both technical rigor and poetic expression, he soon developed a particular sensitivity to rural and maritime scenes, witnesses of a simple yet emotionally charged daily life.
His studies at the Beaux-Arts in Rennes, then in Paris, introduced him to the subtleties of drawing and the richness of chromatic tonalities, skills he applied consistently throughout his career.
Between the wars, Guérin established himself as a discreet but respected figure in Breton art, actively participating in local and national exhibitions.
His works, often characterized by a luminous palette and balanced compositions, bear witness to a deep attachment to his native region.
Guérin also distinguishes himself by his technical approach, carefully blending watercolor and oil to capture the nuances of Breton skies or the hushed atmosphere of interiors.
An artist rooted in his time, but resolutely turned towards a timeless aesthetic, he avoided the excesses of the avant-garde while drawing inspiration from modern research into light and color.
Until his death in 1952, he remained faithful to this quest for authenticity, building a body of work in which technical precision is combined with a sincere sensitivity to everyday life.
Today, his landscapes and genre scenes continue to embody a vision of Brittany that is both personal and universal.
Focus on Breton landscape with thatched cottages, Ernest Pierre Guérin
In Ernest Pierre Guérin's Breton landscape with thatched cottages, there is a clear desire to convey the serenity and authenticity of rural Brittany.
The masterfully restrained composition revolves around a few central elements: thatched cottages nestled in a rolling landscape, dominated by a sky of mingling shades of gray and blue.
The balance of the scene is based on a horizontal structure, where the line of the horizon and the volumes of the dwellings create a silent, almost meditative harmony.
Here, Guérin excels in the use of soft, diffused light, enveloping the elements in a subdued glow. The chromatic palette, dominated by ochres, browns and greens, reinforces this impression of calm, while remaining faithful to the natural tones of the region.
The artist adopts a precise, but not rigid, touch, where every detail seems meticulously observed: the rough texture of thatched roofs, the discreet undulations of the grass in the wind, or the light shadows that stretch across the ground.
This work is part of a sincere, almost documentary approach to representation, but it goes beyond simple recording to offer a poetic vision of Brittany.
Far from dramatic effects or exaggerated contrasts, Guérin favors a measured approach, rooted in an aesthetic of authenticity.
In its simplicity and sensitivity, this painting perfectly illustrates the artist's attachment to his terroir, while at the same time asserting his undeniable technical mastery, in which light becomes a common thread of visual emotion.
Guérin's imprint on his period
Ernest Pierre Guérin's mark on his period is his ability to immortalize Brittany in an aesthetic that transcends simple regionalism.
At a time when art was moving towards modern experimentation, Guérin chose to follow a tradition that valued the permanence and timelessness of landscapes.
His work, deeply marked by a quest for simplicity and serenity, dialogues with the preoccupations of other Breton painters, but differs in its resolutely peaceful approach.
Where artists like Maxime Maufra or Charles Cottet introduce a dramatic or melancholy dimension, Guérin prefers to offer a harmonious, almost idealized vision of an unchanging Brittany.
In this way, it meets the expectations of a public sensitive to the attachment to roots and authentic landscapes, in a context of economic and social upheaval.
His influence is also evident in his role as a discreet ambassador of Breton light.
Through his paintings, he manages to capture a unique atmosphere, characterized by changing skies, calm shores and countryside bathed in diffused light.
This mastery of the landscape, without virtuoso effects, has contributed to a poetic image of Brittany that continues to seduce.
Guérin was thus a link between faithful figurative painting and a personal vision, bringing to his time a contemplative parenthesis which, though less revolutionary, was no less essential for its depth and sincerity.
Recognizing the artist's signature
Not all of Guérin's paintings are signed, but an inscription may appear on the frame or on the back of the canvas. However, with or without an inscription, it is important for you to have the work appraised to ensure its originality and to be able to date it.
Know the value of an array
If you happen to own a painting by Guérin or after the artist, don't hesitate to ask for a free estimate using the form on our website.
A member of our team of experts and certified auctioneers will contact you promptly to provide you with an estimate of the market value of your work, as well as any relevant information about it.
If you wish to sell your work of art, our specialists will also be on hand to help you sell it at the best possible price, taking into account market trends.
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