Alix Aymé Drawings - Value, rating, artist

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Cote et valeur de l'artiste Alix Aymé

Alix Aymé is a major 20th-century painter. Today, prices for her works are rising under the auctioneers' hammer.

His oils on canvas are particularly prized, especially by French buyers, and the price at which they sell on the art market ranges from €30 to €345,000, a considerable delta but one that speaks volumes about the value that can be attributed to the artist's works.

In 2021, an oil on canvas entitled Nu au lotus (Nude with lotus ) sold for €250,000, whereas its estimate was between €100,000 and €150,000. Its value is on the rise.

Order of value from a simple work to the most prestigious

Artist Alix Aymé's style and technique  

Alix Aymé, influenced by Paul Gauguin and Maurice DenisAlix Aymé has developed a singular style that finds particularly refined expression in her drawings.

His works on paper reveal a remarkable delicacy and precision that reflect a keen sense of observation, as well as a marked sensitivity to shapes, movements and the subtleties of light.

Often working in pencil or ink, she favored fluid lines and pared-down compositions, where each stroke conveyed the exactness of her intention and testified to her technical mastery.

These designs, with their Art Deco aesthetic, are distinguished by subtle touches of gold that underline the contours and add a sophisticated decorative dimension to his creations. 

With remarkable finesse, Alix Aymé captured exotic motifs, vibrant landscapes and scenes of everyday Indochinese life, transforming ordinary moments into poetic evocations imbued with a rare serenity.

His graphic palette reflected a harmonious dialogue between modern Western influences and an inspiration deeply rooted in Eastern culture.

Integrating a perfect balance between sobriety and ornamentation into his compositions, his drawings reflect an artistic quest that is both rigorous and imbued with elegance, testifying to his innovative eye and talent for weaving subtle links between two worlds.

Alix Aymé, from Marseille to Indochina

Alix Aymé (1894-1989) was a French artist who marked her era with her exceptional talent for drawing and her role as a cultural bridge between the West and Asia.

Born in Marseille, she developed a taste for drawing and music at an early age, which she studied at the Toulouse Conservatory.

Although talented in both fields, she devotes herself entirely to drawing, a discipline that allows her to explore her fascination for shapes and lines.

In Paris, she joined Maurice Denis' studio, where she perfected her style while taking part in prestigious projects such as the decoration of the Champs-Élysées theater. 

Married to a professor of literature, she left France for Asia, where she taught drawing and painting at the French lycée in Hanoi. This stay in Indochina became a turning point in her career, nourishing her work with a new visual richness.

Back in France, she accepted a mission from the French government to organize the 1931 Colonial Exhibition, before leaving for Asia with her son.

Moving to Laos and then back to Vietnam, she draws on these environments as an inexhaustible source of inspiration for her drawings, which bear witness to a keen eye and unique sensitivity for everyday scenes and local landscapes. 

Appointed professor at the École des Beaux-Arts d'Indochine, founded by Victor Tardieu, she trained a generation of artists while furthering her own art.

Aymé is particularly interested in silk drawing, a refined technique that she approaches with remarkable precision and delicacy. This approach, influenced by Asian traditions, is in constant dialogue with her Western artistic heritage.

At the end of her career, she created a monumental masterpiece, the Way of the Cross of Notre-Dame de Fidélité, in which she boldly combined oriental techniques and European inspiration.

She died in 1989, leaving behind a body of work deeply marked by her passion for drawing and her desire to merge cultures.

Focus on a drawing by Alix Aymé

A drawing by Alix Aymé, depicting a seated Vietnamese woman, embodies the elegance of her graphic art. Working in pencil and ink, the work illustrates an everyday scene with delicate precision.

The woman's serene posture, with crossed legs and pensive gaze, testifies to the artist's keen sense of observation. The finely traced folds of the garment reveal a particular attention to detail, without ever weighing down the composition. 

Aymé's fluid, uncluttered brushstrokes lend the scene an almost meditative clarity. The minimalist background highlights the main subject, while hinting at the peaceful atmosphere typical of Vietnamese villages.

This design also reflects the influence of Art Deco in its sober lines and balanced shapes. 

With this type of work, Alix Aymé manages to transcend cultural barriers, combining her Western eye with a sincere admiration for local traditions.

Every detail, from the woman's restrained gesture to the overall harmony, reflects an artistic quest for simplicity and refinement, characteristic of her singular approach.

Alix Aymé's legacy on her period 

Alix Aymé's legacy to her time, particularly through her drawings and watercolors, is marked by a subtle fusion of Western influences and Eastern traditions.

His unique view of the world, whether Indochinese landscapes or everyday scenes, offered a refined, poetic vision that left its mark on his contemporaries.

Through her drawings, she has transcended simple observation, giving each line the poetry and gentleness characteristic of her style. 

His works have also played a key role in introducing Vietnamese artistic techniques to a Western audience, bridging the gap between cultures.

Through her teaching at the École des Beaux-Arts d'Indochine, she trained several generations of artists, instilling in them a love of Vietnamese lacquer and silk painting.

Today, this legacy lives on through contemporary artists who continue to draw inspiration from his pure compositions and graphic experiments.

The richness of her drawings and watercolors helped to spread the art of Indochina beyond its borders, establishing Alix Aymé's style as an essential milestone in 20th-century decorative art.

Alix Aymé's influence on the teaching of Indochinese art

Alix Aymé played a fundamental role in the teaching of Indochinese art in the 20th century, inscribing her influence at the heart of this period of intense cultural dialogue.

Based in Hanoi, she was a key figure in the École des Beaux-Arts d'Indochine, founded by Victor Tardieuwhere she was instrumental in perpetuating the tradition of Vietnamese lacquerware and promoting silk painting techniques.

His approach, at once rooted in Western sensibility and open to local artistic riches, has helped introduce and develop these skills within the Vietnamese education system.

Through his teaching, Aymé passed on the values of technical rigor and inventiveness, while cultivating a deep respect for Vietnamese craft traditions, also used by artists such as Vu Cao Dam and Trung Thu Mai.

She encouraged her students to appropriate these ancestral methods, while experimenting with new forms and styles inspired by artistic exchanges between East and West.

His work, in both painting and drawing, is a direct reflection of this dual influence, blending clean lines, exotic motifs and a subtle palette.

Her work as an educator has trained a new generation of artists capable of perpetuating these practices while infusing them with a contemporary outlook.

Through her, Indochinese art has found a means of expression that is both faithful to its origins and resolutely forward-looking. Alix Aymé's legacy in teaching art in Vietnam lives on, still influencing today's creators.

Recognizing the artist's signature

Aymé often signs his name at the bottom of his drawings or oil paintings. Copies may exist, so expert appraisal is important.

Knowing the value of a work

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