Cote et valeur des tableaux, dessins, peintures de Alexandra Exter

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Cote et valeur de l'artiste Alexandra Exter   

Alexandra Exter is a well-known artist among modern art lovers. Today, the prices of her works are rising under the auctioneer's hammer.

His oils on canvas are particularly prized, especially by French buyers, and the price at which they sell on the art market ranges from €50 to €1,152,000, a significant delta but one that speaks volumes about the value that can be attributed to the artist's works.

His oil on canvas Composition, Genoa, dating from 1912 , sold for €1,152,000, against an estimate of €600,000-750,000. His value is on the rise. 

Order of value from the most basic to the most prestigious

Artist's style and technique

Alexandra Exter's style and technique embody a harmonious synthesis of the influences of Cubism, Futurism and Constructivism, while claiming her roots in traditional Russian art.

His compositions are characterized by bold geometric structuring and intense colors, often inspired by Orthodox icons, which infuse his works with a vibrant energy.

Like Fernand Léger or Kazimir Malevich, Exter plays with lines and planes, creating dynamic interactions that evoke movement and modernity.

Her work for the theater marks a turning point in her career, where she reinvents sets and costumes with an avant-garde, functional aesthetic.

These creations, blending abstraction and utility, bear witness to a visionary approach that influenced movements such as the Bauhaus.

His gouaches and collages, with their almost architectural precision, reflect a remarkable mastery of composition, in which each element finds its place in a carefully calculated balance.

Alexandra Exter also stands out for her ability to cross disciplines, exploring painting, scenic design, fashion and graphic design with inexhaustible creativity.

By combining modernity and tradition, she blazed a unique trail in the artistic avant-garde of the 20th century, placing her work at the crossroads of European experimentation and Russian heritage.

This technical and aesthetic singularity made her an essential artist of her time, whose innovations continue to resonate today.

Alexandra Exter, at the crossroads of the avant-garde

Alexandra Exter, born Grigorovitch in 1882 in Białystok, then under the rule of the Russian Empire, grew up in a cultured environment open to European artistic ideas.

She studied at the Kiev School of Fine Arts, where she immersed herself in the Symbolist and Impressionist movements. From an early age, she frequented Kiev's intellectual and artistic circles, where she met key figures such as David Bourliouk.

Exter continued her training in Paris, joining the cosmopolitan milieu of the avant-garde. There, she forged links with major artists such as Pablo PicassoFernand Léger and Guillaume Apollinaire, while incorporating the innovations of Cubism and Futurism into her research.

Back in Russia, she played a central role in disseminating European trends among her contemporaries, while actively participating in emblematic avant-garde exhibitions such as La Queue de l'Âne in France and L'Union de la Jeunesse in St. Petersburg.

Settling in Moscow after the October Revolution, Exter also devoted herself to teaching at the Vkhoutemas Institute, where she influenced a new generation of artists.

Her research led her to explore scenography, particularly for the theater, where she revolutionized the approach to sets and costumes with a radically modern aesthetic.

In 1924, she settled permanently in France, continuing her avant-garde creations.

Alexandra Exter died in 1949 in Fontenay-aux-Roses, leaving behind a profoundly innovative body of work, at the crossroads of European influences and Russian tradition, which continues to fascinate art lovers and specialists.

Focus on Suprematist Composition, Alexandra Exter, 1922

Alexandra Exter's Suprematist Composition (circa 1922) is a striking example of her mastery of avant-garde principles and her central role in the development of abstract art.

This painting, an explosion of geometric shapes and vivid colors, bears witness to the influence of Kazimir Malevich's Suprematism, while revealing the artist's unique approach.

Unlike Malevich, who favors austerity and purity of form, Exter enriches his compositions with an almost theatrical dynamism, a characteristic no doubt derived from his work on scenography.

The inclined planes, bold superimpositions and chromatic contrasts evoke a continuous movement, a kinetic energy that seems to want to surpass the limits of the frame, a little like Villon.

The palette, composed of electric reds, blues and bright yellows, dialogues with darker shades, creating a captivating visual tension.

Exter also incorporates an architectural dimension, recalling her interest in construction and spatiality, themes she also explores in her theater sets.

This work reflects Exter's ability to fuse European artistic currents with the revolutionary aspirations of his time, offering a vision of abstraction that is both rigorous and vibrant.

It transcends mere formal considerations to become an ode to modernity and innovation, marking an essential step in the quest for a universal visual language at the beginning of the 20th century.

Alexandra Exter's imprint on her time

Alexandra Exter's legacy lies in her ability to embody a crossroads of the European and Russian avant-gardes, while infusing a singular vitality into every field she explored.

An emblematic figure of Constructivism and Suprematism, she enriched these currents with a theatrical sensibility, helping to spread them far beyond intellectual circles.

Her innovations in stage design, which fused geometric abstraction and visual dramaturgy, had a lasting influence on modern theater, from Meyerhold to Brecht.

In painting, her role is just as striking: she pushes the limits of abstraction towards a luminous, colorful dynamic, opening the way to a more expressive interpretation of forms.

Through his teaching in Paris and his collaborations in Europe, Exter passed on his pioneering approach, inspiring artists such as Sonia Delaunay and El Lissitzky.

Her contribution to design and the applied arts, often underestimated, makes her a visionary capable of unifying art and everyday life in a resolutely modern aesthetic.

In her time, she was one of the few bridges between the Western avant-garde and the Russian artistic revolutions, ensuring a cross-fertilization of ideas.

His work, marked by a relentless search for movement and energy, embodies the utopian aspirations of his time, while laying the foundations for a visual language that transcends cultural boundaries.

Today, Alexandra Exter is recognized as a key figure in the evolution of artistic practices in the 20th century.

Currents crossed by Alexandra Exter

Alexandra Exter traversed and shaped some of the most influential artistic currents of the early 20th century, asserting a central place at the heart of the avant-garde. Formed in the effervescence of Russian Symbolism, she soon broke away from it to immerse herself in the modern European movements.

Fascinated by Parisian Cubism, which she discovered alongside Picasso and Braque, she assimilated its principles of fragmentation and geometrization, enriched by her instinctive sense of color, inspired by the Fauves.

Back in Russia, she embraced Malevich's Suprematism, adopting radical abstraction and the use of pure forms as a universal language. She added the dynamic dimension of Italian Futurism, whose energy she transposed into her compositions and theatrical experiments.

Her forays into constructivism testify to a desire to link art to society, through design and scenography, fields in which she excels in combining functionality and aesthetics.

At the same time, his interest in Ukrainian folk art, with its vibrant motifs and intense colors, enriches his work with a unique cultural depth, uniting modernity and tradition.

Alexandra Exter doesn't just navigate these currents; she transforms and reinvents them, infusing them with a deeply personal vision.

In this way, she not only follows the movements of her time, she catalyzes them, linking them into a complex aesthetic network that makes her an essential, cross-disciplinary artist.

His signature

Alexandra Exter's works are not all signed.

Although there are variations, here is a first example of its signature:  

Appraising your property

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