Marcel Coard, value and rating of his creations

His story, his background
Marcel Coard was a great decorator of the 1930s.
He is famous for his work on the design of couturier Jacques Doucet's studio and for decorating the château of Paul Cocteau (brother of Jean Cocteau), near Tours. Born into a wealthy family, he studied at the École Nationale des Beaux-Arts in Paris before opening his own decorating boutique. He creates unique pieces in rare and precious materials, inspired by African and Oceanic art and Cubism. He collaborates with renowned cabinetmakers such as Chanaux, Pelletier and Roumy to create complex works.
Marcel Coard adapts his creations to his customers' wishes, mixing styles in his projects. His style evolved over the years, incorporating wrought iron, marble and a "humanist" dimension into his work. The richness of his creations and his ability to adapt made him a highly sought-after artist in the 1930s, with furniture stamped with his name and a parrot profile, his trademark.


Order of value from most basic to most valuable
Model | Estimate |
---|---|
Drawing, sketching (project) | 200€ - 3 000€ |
Chair | 800 - 10 000€ |
Wrought iron armchair | 5 000 - 80 000€ |
Luminaire | 2 000 - 200 000€ |
Furniture (sofa, chest of drawers, sideboard, bookcase, etc.) | 2 000 - 1 044 000€ |
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Knowing the value of a piece of furniture by Marcel Coard or attributed to Marcel Coard
If you own a piece of furniture or any other piece by the artist Marcel Coard, don't hesitate to request a free appraisal by filling in our online form.
A member of our team of experts and certified auctioneers will contact you to provide an estimate of the market value of your work. If you are considering selling your work of art, our specialists will also guide you through the various alternatives available to obtain the best possible price for your work, taking into account market trends and the specific features of each object.
Recognizing an original creation
Like Raymond Subes and Mario Bellini, Marcel Coard produced mass-produced furniture. This is why his creations are not necessarily signed, and why it is important to have them appraised to be sure of their value.
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